Earlier this year Palma Violets tore themselves away from Lambeth, London to make some noise at house parties, sweaty venues and pizza joints in New York city. Yours Truly went along for the ride and made this brilliant mini-doc:
British Sea Power will release their fifth album Machineries Of Joy on Friday 29 March 2013 via Rough Trade / Remote Control.
Machineries Of Joy was written in the Berwyn mountains in north Wales and recorded in Brighton with Dan Smith and mixer Ken Thomas (David Bowie, Sigur Ros).
“We’d like to think the album is warm and restorative,” says singer Yan. “Various things are touched on in the words – Franciscan monks, ketamine, French female bodybuilders turned erotic movie stars. The world often seems a mad, hysterical place at the moment. You can’t really be oblivious to that, but we’d like the record to be an antidote – a nice game of cards in pleasant company.”
British Sea Power Machineries of Joy is out Friday 29 March 2013 via Rough Trade / Remote Control.
Panthu Du Prince returns with a new album titled Elements of Light, a collaborative project with The Bell Laboratory. The album is out now via Rough Trade / Remote Control.
Over the course of three albums — and as an in-demand remixer of artists ranging from Animal Collective to, most recently, Philip Glass — the Berlin-based musician and producer Pantha Du Prince (Hendrik Weber) has been celebrated for pushing the envelope of electronic music. His newest effort, Elements of Light, a collaborative project with The Bell Laboratory, is doubtless his most ambitious to date: The work is a symphony for electronics, percussion and bell carillon, a three-tonne instrument comprising 50 bronze bells.
Elements of Light is a natural next step in the Pantha Du Prince oeuvre. Bells figured prominently on his last album, the highly acclaimed Black Noise, released on Rough Trade in 2010.
The genesis of the project began in Oslo in the summer of 2010, when Weber was having lunch with the local curators Mattis With and Håkon Vinnogg and heard, in the distance, one of the concerts that are played multiple times daily on a bell carillon inside the city hall. Weber was struck by how the frequencies and overtones unfolded unpredictably, influenced one another, and resonated, more or less, throughout the Norwegian capital.
With and Vinnogg suggested he compose for the carillon, which was developed in China 3,500 years ago, during the Shang Dynasty, and made its way to Europe during the Middle Age. Weber began collaborating with the Norwegian Lars Petter Hagen, who served as arranger and conductor.
The album is a single continuous work, although it has been broken down into five tracks named for elements of light: ‘Wave’, ‘Particle’, ’Photon’, ‘Spectral Split’ and ‘Quantum’. Sonically, the work is a fusion of electronic music and classical composition, and draws on house and minimalism, jazz and new music, gamelan and western sacred music. Influences include John Cage, Iannis Xenakis, Steve Reich, LaMonte Young and Moondog.